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As for languages, so far there's been an attempt to make it sort of bi-lingual, mixing Japanese and English depending on who's talking to whom. I don't know what they'll do if someone wants to publish it in France, for example... mix Japanese and French, I guess?
This layout actually came from one of the writers, who composes his scripts as thumbnail sketches. I still do a lot of interpretation, but this method results in some interesting compositions.
We've got an unusual arrangement, where depending on which writer I'm getting script from that day, it either comes in a semi-traditional description/dialogue form, or as a visual layout with the action loosely thumbnailed and the dialogue on the page.
I've got the freedom to shift and recompose the page as needed to interpret the thumbnails, but when I get the layout scripted pages I usually follow what he puts down, especially when it's got a weird narrative effect like this.
It's come out well all the same. I like co-operative art works, like this and animation where loads of people can make something great by combining skills.